Friends of my brother, GROW ANTHOLOGY, make sweet skateboards out of recycled paper, and they’ve launched a KICKSTARTER campaign to produce their first run of artist-edition boards – THE CHUNKY SHARK CYCLE! It’s limited to only 250 boards… Chunky and Dandel graphic laser-etched into the top of the deck… made sustainably from recycled paper from a paper mill in my home town! They’re a flexy-fluid longboard ride or an object of art for display. Please, do check in to support the Chunky Shark Cycle Kickstarter and get stickers, t-shirts, decks, complete boards, or purchase my original art. Exciting to merge the two passions of my youth – comics and skateboarding!
(PS: Start following progress on the new book at: <http://instagram.com/spacedumplins> )
Thank you, Jordi, for your reminders and thanks to all you loyal blog followers for your patience in this two month lapse between posts.
Portland has the best summers in the world, so there’s been the typical sunny day distractions of: A) river swimming (drawing buddy Scott), B) white water rafting (flip on the Deschutes), C) a little surfing (Justin loads the boards on my car – fifth one on the back seat), and D) lots of stand-up paddling (Brazilian twins Fabio & Gabriel on the Willamette).
In the work world, dealing with recurring hand problems, I’ve experimented with some alternate drawing techniques, including investing in a 13″ Wacom Cintiq. 1) Adrian Tomine’s
latest OPTIC NERVE has a genius lampoon of “our generation’s” resistance to the new brand of art tools coupled with our frustration towards the declining quality of old world art supplies (bristol, brushes, ink). 2)
For a couple of days my drawing desk became a clutter of video monitors (yuck).
3&4) I managed to digitally pencil a page, but then (5) printed out blue lines and reworked with an actual tangible pencil.
Here’s (6) Dave Stewart’s colors (digital) on my India inks (analog).
Purists will be relieved to know I’m sticking with the old-fashioned pencils and sable brushes for now. Digital dabbling, however, did push me to adopt a new working method of pencilling on cheap sketch paper, then scanning and printing blue lines on bristol board to ink by hand. Saves me the hassle of light box tracing and erasing pencil lines. More summer-time announcements coming soon…
Finally finished inking the first chapter of SPACE DUMPLINS (57 pages). I’m way behind on my personal deadlines (primarily due to the health of my drawing hand), but colorist Dave Stewart has been knocking out gorgeous colors at a breakneck pace. Here’s a peek.
Comics industry luminary Kim Thompson will be dearly missed. Though we aren’t related, I referred to him affectionately as “Uncle Thompson.” He nurtured the comics scene into the thriving community it is today, translated and published crucial European artists, and encouraged young talent. He was one of the very first professionals to discover and acknowledge my work. Here’s a postcard he sent me on March 5, 1997.
Brazilian buddies Fabio Moon, Gabriel Ba, and Murilo Martins are visiting Portland for ICAF (International Comics Art Forum).
If this post isn’t too late, check out the twins’ SPOTLIGHT TALK at 70 NW Couch Street (Portland) TONIGHT at 7:30.
What do cartoonists do when we drink coffee and nerd out? We discuss craft & reminisce on the masters of the medium.
This morning, we picked four cartooning heroes who passed away recently, and copied panels as a tribute. Below left,
Fabio pencilled a CARMINE INFANTINO panel that Murilo inked. To the right, Murilo pencilled some MOEBIUS panels that Fabio inked.
Then I pencilled a TOPPI page that Gabriel inked. Right, Gabriel pencilled a SENDAK page that I inked.
Here’s my inks on Gabriel’s pencils of a Maurice Sendak image from WE ARE ALL IN THE DUMPS WITH JACK AND GUY.
It’s been a year, and I still think of Maurice daily.
recently posted my interview with Blutch
– an inspiring & influential cartoonist to myself and many others. The first of his books to be published in English – SO LONG, SILVER SCREEN
– is debuting this month from Picturebox
! Below is the the only photo I could find of Blutch and myself – at Angoulême
festival in January 2005. And there’s a smattering of Blutch’s prolific bibliography.
While working on Blankets, I poured so devotedly over Blutch’s pages that it emerged as unconscious swipes in my own work. Here’s just one sample where I mimicked him without even realizing – a common affliction in young, impressionable cartoonists.
And here’s a couple of portraits of Blutch from CARNET DE VOYAGE
. That 2004 visit to Toulouse, France is referenced often in the Boingboing interview. Treat yourself to Blutch’s new book finally in the US!
Springtime instigates spring cleaning of the art studio. Here’s a couple of goodies unearthed in the process. Above is a batch of unused illustrations created for a stage presentation at the 2005 ICON Illustration Conference. The general talking point of each illo is: a) preconceptions of comics, b) the obliviousness and/or coping mechanisms of arteests, c) SCOTT McCLOUD as a cult leader of sorts for my generation of cartoonists, d) the reality that most cartoonists pay the bills via illustration gigs, e) the debate over the label “graphic novel”.
Below is another except from the 70 foot scroll I created in fourth grade (1985 or 1986) when I was approximately the same age as Violet in the upcoming SPACE DUMPLINS. Wish I could scan this entire epic for you… in the meantime, there’s a little more on it here.
During my March 5 – May 14, 2004 travel diary CARNET DE VOYAGE
, this little bean-bodied critter invaded my sketchbooks as a conscience to counteract my whining & sentimentality. Nine years later,
it’s satisfying & familiar to revisit the character in the pages of SPACE DUMPLINS, though I seriously envy how off-the-cuff I used to churn out the pages. The critter has a name now – Zacchaeus – after a favorite wee little tax-collector from the Bible.
There’s a new presence in my work studio that shares the same energy as Zacchaeus – frisky & distracting & never tolerating the whining – a kitty, name of Maurice (no Biblical reference). Here she is surveying new and old appearances of Zacchaeus. To the right, she protects the drafting table from her throne of crumpled jackets.
In other news: A)
I’m participating in an exhibition at the Cartoon Art Museum
in San Francisco with an amazing cast of illustrators. I SEE WHAT YOU SAY
opens March 23rd.
the latest foreign edition of HABIBI to debut is from my Serbian publisher Komiko
. I wanted to mention it, if for no other reason because I like seeing my name spelled “Krejg”.
Happy New Year, Everyone! My apologies for neglecting to post in January. Mostly I was bummed out to not be back on the drawing wagon as predicted. All of December and January were spent in recovery, including occupational therapy. But I’m reminded that there were similar months of recuperation after BLANKETS tour in 2004 (see CARNET DE VOYAGE).
I was waiting for happy news before posting, and it arrived with February as I’m finally drawing again & starting fresh with a new opening sequence for the book (scrapping most of the pages inked in November).
The happier news is that the incredible Dave Stewart
is on board to color SPACE DUMPLINS, infusing the drawings with vibrant atmosphere & volume. Dave and I’ve known each other since 1997 when I worked as a graphic designer at Dark Horse Comics
and he was an in-house colorist. He’s best known now for his work on Mike Mignola’s HELLBOY
and BRPD (and for winning seven Eisner awards!)
After so many years of working solo, I’m excited to share this element of collaboration with an extremely talented friend. See below for a peek at the magic Stewart brings to a single panel of the new book.