|comics vs sketchbook||June 11th, 2008|
Quick follow-up to that last entry. Peter asked how big the sketchbook pages are. They’re 9″ x 12″.
Because the sketches are drawn from life with plenty of space on the page, it’s easy to dash them off with pocketbrush.
Anyways, this HABIBI page was drawn today. And the sketch above is of my friend Kathleen at BenoÃ®t Peeter’s apartment in Paris.
|finish line stretch||January 30th, 2015|
SCHOLASTIC officially announced the August 25th release date for SPACE DUMPLINS, just as I was finishing the inks for the FINAL CHAPTER.
I’m not in the clear yet… there’s still book design, and pages upon pages of copyedits/corrections/redraws, but getting close! For Scholastic, this marks the tenth anniversary of their GRAPHIX line, which I’m honored to participate in. Happy New Year, Dear Readers. More soon!
|les petits riens||June 10th, 2014|
In the last year of his life, Maurice became an adopted grandfather and we chatted weekly on the phone. I transcribed bits of his conversations, almost all of which are too personal or vulnerable or hilariously vulgar to share here on the blog… but to commemorate his birthday, I found something petit. On July 31, 2011 speaking of his other project left unfinished – “THE NOSE BOOK”, Maurice said,
“I am writing something. A door is opening — moreso a WINDOW is opening. It’s FUNNY. I’ve never written anything funny before. No tragic overtones… just plain silly. But I’m not gonna judge it, or condemn it. … Which is very unlike me.”
The photo is with my dear cartoonist buddy Aaron Renier who introduced us in 2011.
In a later conversation, Maurice said, “I’ve been feeling fetid in my efforts at writing. Feel as if the creative spirit has departed. It better not leave me or I’ll have a SHIT FIT!” That’s how I was feeling when I left for France – I’m in Paris today – taking a breather from SPACE DUMPLINS to work in a sketchbook outside the studio again.
One more: “You just gotta get old and whatever was unattractive about your work is suddenly all right. Everything becomes silly.”
Still miss him everyday.
|amiens et lyon||May 22nd, 2014|
Related to the straight-to-sketchbook project mentioned in the last post, I’ll be spending the month of June in France. While there, I’ll also participate in the Amiens BD festival and the Lyon BD festival to compensate for my abbreviated French presence during 2011’s HABIBI book tour. As some may recall, the French edition of HABIBI was late from the printers and so I’d done press at that time, but no signings.
To prep for travel, my friend Lucie is tutoring me in French. Here’s a little excerpt from my study notebook — a homework exercise to “write (& draw) a dialogue with two (or ten) characters” in which Little Zacchaeus (from CARNET and SPACE DUMPLINS) interacts with references from some favorite bande dessinée – including PETIT VAMPIRE VA À L’ECOLE by Joann Sfar, LES OGRES by David B. & Christophe Blain, CÉFULUS by Ludovic Debeurme, and SALADE NIÇOISE by Baudoin. (Translated or not, it makes no sense.)
|digital pencil & analog ink||May 1st, 2014|
Thanks for the reminder about the Cintiq post, Dan. As mentioned back in August 2013, I’ve been experimenting with the Wacom Cintiq as a way to shake up & expand my working methods. The 13″ felt too cramped & claustrophobic, so early this year I upgraded to a 22″ Cintiq on an Ergotron arm – inspired by Fiona Staples, whose work on SAGA I admire.
For the past couple of months, I wrestled with the machine & have settled on a compromise common among comics pros – I pencil the pages digitally, then print out blue lines and ink on actual paper.
The advantage of digital penciling is I can see a chapter all at once (top right photo), cut&paste, zoom in close, edit on the fly, and work standing up (top left photo, avec Momo). But digital inking still looks too slick to me — I prefer the flawed & tangible qualities of fussy sable brushes on paper. Foot in both worlds!
Finally, my advice to young cartoonists is to keep it organic & raw and not get bogged down by plug-in devices. In a month, I’ll be starting a direct-to-sketchbook project like CARNET DE VOYAGE to relearn working on the fly outside the studio.
|color tweaks & carnet’s tenth||March 5th, 2014|
Just wanted to share some of the incredible work Dave Stewart’s pouring into the SPACE DUMPLINS colors.
We decided the palette was getting too muted & subdued, so he’s tweaking the pages just enough to infuse the grimy dinginess of outer space clutter with a burst of cartoony, kid-friendly levity. Previous incarnations on the left – updated versions on the right.
In other news, I realized that today is the exact ten year anniversary of my CARNET DE VOYAGE travel & book. To celebrate, I dug around for a photo or two, but they were sparse, because as noted in the back of the book, zero cameras were used in the creation of it. It is my unaltered travel diary begun March 5th, 2004 and ended May 14th, 2004. The week following, my buddy Frédéric and I scanned the three sketchbooks and layed out the book in Lyon, France – no edits other than a proofread from my non-native English speaking friends.
|paddling vs pushing pixels||August 23rd, 2013|
Thank you, Jordi, for your reminders and thanks to all you loyal blog followers for your patience in this two month lapse between posts.
Portland has the best summers in the world, so there’s been the typical sunny day distractions of: A) river swimming (drawing buddy Scott), B) white water rafting (flip on the Deschutes), C) a little surfing (Justin loads the boards on my car – fifth one on the back seat), and D) lots of stand-up paddling (Brazilian twins Fabio & Gabriel on the Willamette).
In the work world, dealing with recurring hand problems, I’ve experimented with some alternate drawing techniques, including investing in a 13″ Wacom Cintiq. 1) Adrian Tomine’s latest OPTIC NERVE has a genius lampoon of “our generation’s” resistance to the new brand of art tools coupled with our frustration towards the declining quality of old world art supplies (bristol, brushes, ink). 2) For a couple of days my drawing desk became a clutter of video monitors (yuck).
3&4) I managed to digitally pencil a page, but then (5) printed out blue lines and reworked with an actual tangible pencil.
Here’s (6) Dave Stewart’s colors (digital) on my India inks (analog).
Purists will be relieved to know I’m sticking with the old-fashioned pencils and sable brushes for now. Digital dabbling, however, did push me to adopt a new working method of pencilling on cheap sketch paper, then scanning and printing blue lines on bristol board to ink by hand. Saves me the hassle of light box tracing and erasing pencil lines. More summer-time announcements coming soon…
|zach & mo & krejg.||March 7th, 2013|
During my March 5 – May 14, 2004 travel diary CARNET DE VOYAGE, this little bean-bodied critter invaded my sketchbooks as a conscience to counteract my whining & sentimentality. Nine years later, it’s satisfying & familiar to revisit the character in the pages of SPACE DUMPLINS, though I seriously envy how off-the-cuff I used to churn out the pages. The critter has a name now – Zacchaeus – after a favorite wee little tax-collector from the Bible.
There’s a new presence in my work studio that shares the same energy as Zacchaeus – frisky & distracting & never tolerating the whining – a kitty, name of Maurice (no Biblical reference). Here she is surveying new and old appearances of Zacchaeus. To the right, she protects the drafting table from her throne of crumpled jackets.
In other news: A) I’m participating in an exhibition at the Cartoon Art Museum in San Francisco with an amazing cast of illustrators. I SEE WHAT YOU SAY opens March 23rd.
And B) the latest foreign edition of HABIBI to debut is from my Serbian publisher Komiko. I wanted to mention it, if for no other reason because I like seeing my name spelled “Krejg”.
|back to the drawing table||November 7th, 2012|
Thanks for the reminder, Jordi. It’s been five weeks since my return, and I’ve finally started drawing the NEXT BOOK. Twelve pages are finished, but I’m still reclaiming the discipline & drawing muscles required to make final pages. It’s still a bit soon to reveal the details of the project, but I will say my focus is on the all-ages book. While brainstorming/writing (earlier in the year), I gave equal attention to three ideas, but the time-consuming demands of drawing have nudged the other two books to the backburner. Here’s some preliminary sketches of the new book’s hero – VIOLET.
In other news, here’s a link to the BLANKETS MARRIAGE PROPOSAL of Becca & Mike mentioned at the end of last month’s post.
|home-back||May 24th, 2012|
Finally recovering from promotional travel. A token of carrying home on one’s back is this handmade Chunky Rice plush from Raquel & Ferran in Barcelona. Thanks, you two! And to Jordi & the other dedicated Spanish fans that made it out. Accompanying Chunky is a classic casualty of travel – the drowned sketchbook – reminding me of the age-old lesson to sketch in archival ink. Appropriately, most of the drawings are of airplane interiors that literally bled together after so many flights.
Along the way, I meet so many amazing people – too many to acknowledge in this small space – but foremost you readers! Seen here is my Spanish/Catalan editor Laureano & a new fave cartoonist David Rubin. Also, the charming Elvis Mitchell – an incredible interviewer that sets one at ease & draws out an honest conversation.
Some of you may recognize Laureano from my 2004 travelogue CARNET DE VOYAGE. Below, the view a block and a half from Laureano’s apartment. On the right is a snippet from my 2004 sketchbooks that never made it into print. But it’s another good reminder…