|kazim ali & jens harder||April 10th, 2014|
This morning’s clutter on the drafting table – inking several SPACE DUMPLINS pages simultaneously. Also my friend Kazim Ali is in town for a reading from his new book SKY WARD at Reed College TONIGHT (6:30 Elliot Hall Chapel) for those of you in Portland. Here he’s writing Arabic on my new Cintiq (more on that in some future post… As evidenced above, I’m still inking with actual India ink & brush.).
Finally, this just arrived in the post – BETA (…civilizations volume 1) by German cartoonist Jens Harder. In this intricate, mind-boggling, coolest possible coffee table book, Jens catalogues the history of human evolution & civilization. Every image in the 365 page tome (apparently the first in a trilogy) is sampled from existing media – cave paintings, etchings, pottery, photographs, film, comics, etc. then redrawn in Jens’ meticulous brush lines. For those of you who thought HABIBI was nuts, this takes it to the next level. Speaking of which, here’s a page that references HABIBI in the development of written language.
A favorite page of mine groups CHRIS WARE alongside Caravaggio, Courbet, and Magritte to name a few.
|color tweaks & carnet’s tenth||March 5th, 2014|
Just wanted to share some of the incredible work Dave Stewart’s pouring into the SPACE DUMPLINS colors.
We decided the palette was getting too muted & subdued, so he’s tweaking the pages just enough to infuse the grimy dinginess of outer space clutter with a burst of cartoony, kid-friendly levity. Previous incarnations on the left – updated versions on the right.
In other news, I realized that today is the exact ten year anniversary of my CARNET DE VOYAGE travel & book. To celebrate, I dug around for a photo or two, but they were sparse, because as noted in the back of the book, zero cameras were used in the creation of it. It is my unaltered travel diary begun March 5th, 2004 and ended May 14th, 2004. The week following, my buddy Frédéric and I scanned the three sketchbooks and layed out the book in Lyon, France – no edits other than a proofread from my non-native English speaking friends.
|the sakai project||February 9th, 2014|
One of my favorite comics growing up was USAGI YOJIMBO. Its creator Stan Sakai is humble, hardworking, and perhaps the kindest person I’ve met in this industry. His wife has been suffering serious health issues, so an art auction fundraiser has been organized to aid the family with medical expenses.
Here’s my tribute – crafted this snowbound weekend in Portland. The inspiration was 1) the unrequited romance of Usagi & Mariko from the earliest 1987 issues of the book, along with 2) the tradition of Ukiyo-e woodblock prints (specifically “Two ladies conversing in the snow” & “A village in the snow” by Hiroshige), and finally 3) the snow-dappled tree framed by my studio window as the neighbor kids sled down their front yard.
To learn more about the fundraiser and the other artists involved, please check out the Cartoon Art Professional Society’s Paypal.
|spacebikes 1983||January 17th, 2014|
Unearthed some more childhood art that wasn’t lost in the BLANKETS burn barrel. This one’s another scroll (see slumgutso
I was nine years old and all fired up about RETURN OF THE JEDI (note the belt buckle matches the jersey).
|year of the momo||December 30th, 2013|
HAPPY NEW YEAR, BLOG-FRIENDS!
After HABIBI promotional travel, 2013 was the year of hunkering down to craft the new book – SPACE DUMPLINS. It began with an injured hand, tossing the first batch of inks, revising the script, then drawing 135 pages of final art to be colored by Dave Stewart.
154 more pages to go to finish SPACE DUMPLINS – the big goal for 2014. Thanks to all of you for your continual support & sticking with the Doot Doot Blog. Here’s a reminder of previous New Years on this forum: 2008, 2009, 2010, 2011, 2012. A toast to a cozy & productive year for us all!
|float down the liffey||November 27th, 2013|
Last week, I finished pencilling chapter three of SPACE DUMPLINS. I usually pencil & ink a single page on the same day (two with BLANKETS), but this time for the sake of editing, I pencilled an entire chapter at once.
Seeing the whole chapter made it more malleable & consistent, more tangible to “stage”, and saved me from repeating compositions. But my work days felt more monotonous – tending to a single task for weeks on end – and I missed the creative “down time” that inking affords me. Pencilling is all sweat & brainwork, but inking is more intuitive – freeing my mind to listen to music, podcasts, talk on the phone…
Many of you asked why I’ve started using colored ballpoint on my pencils, but it’s purely for fun – now that I scan the pencils and print out blue lines, the pencils can be as messy and colorful as I like. As an experiment, I dabbled with inking some panels digitally on a 13HD Cintiq.
Below is an excerpt from a page I inked twice – A) The old-fashioned way with a brush and India ink. B) The newfangled digital tablet way. I was surprised that the difference is almost imperceptible. An advantage of digital is that I was able to draw word balloons and color holds on separate layers, and of course it’s all easier to correct. But for now I still prefer the tactile sensations of light bouncing off paper, crude ink, and finicky sable hairs.
The pictured character is named TINDER, after my cartoonist buddy Jeremy Tinder – whose style I aped for the character design.
|process panel||October 31st, 2013|
Happy Halloween, Blog-friends, and thanks for your patience during a quiet October.
1) Pencilled the characters (Elliot & Violet) and roughed in the background with non-photo blue pencil.
2) This time, I chose to draw the background separately with pencil and colored ballpoint.
3) Then I merged the two in Photoshop and printed out blue lines on to Bristol Board paper.
4) Inked with India ink and watercolor brush – the lettering is Micron pigment pen.
5) The COLORS!
|green bean & wordstock||September 24th, 2013|
After getting home from three weeks in LA, I have a couple events unfolding in the Portland area.
1) The local launch for First Second’s FAIRY TALE COMICS with cartoonist (and Laika storyboarder) Graham Annable at GREEN BEAN BOOKS. 1 PM on Saturday, September 28th (1600 NE Alberta Street, Portland). More on that anthology – a sequel of sorts to NURSERY RHYME COMICS – here.
2) A two-way stage conversation between Gene Yang and I to scour the crossover themes of our coming-of-age memoirs (AMERICAN BORN CHINESE) and historical, religious epics (BOXERS & SAINTS) at the WORDSTOCK literary festival. 3 pm, October 5th, Oregon Convention Center.
Hope to see you locals there!
|chunky shark cycle||September 10th, 2013|
Friends of my brother, GROW ANTHOLOGY, make sweet skateboards out of recycled paper, and they’ve launched a KICKSTARTER campaign to produce their first run of artist-edition boards – THE CHUNKY SHARK CYCLE! It’s limited to only 250 boards… Chunky and Dandel graphic laser-etched into the top of the deck… made sustainably from recycled paper from a paper mill in my home town! They’re a flexy-fluid longboard ride or an object of art for display. Please, do check in to support the Chunky Shark Cycle Kickstarter and get stickers, t-shirts, decks, complete boards, or purchase my original art. Exciting to merge the two passions of my youth – comics and skateboarding!
(PS: Start following progress on the new book at: <http://instagram.com/spacedumplins> )
|paddling vs pushing pixels||August 23rd, 2013|
Thank you, Jordi, for your reminders and thanks to all you loyal blog followers for your patience in this two month lapse between posts.
Portland has the best summers in the world, so there’s been the typical sunny day distractions of: A) river swimming (drawing buddy Scott), B) white water rafting (flip on the Deschutes), C) a little surfing (Justin loads the boards on my car – fifth one on the back seat), and D) lots of stand-up paddling (Brazilian twins Fabio & Gabriel on the Willamette).
In the work world, dealing with recurring hand problems, I’ve experimented with some alternate drawing techniques, including investing in a 13″ Wacom Cintiq. 1) Adrian Tomine’s latest OPTIC NERVE has a genius lampoon of “our generation’s” resistance to the new brand of art tools coupled with our frustration towards the declining quality of old world art supplies (bristol, brushes, ink). 2) For a couple of days my drawing desk became a clutter of video monitors (yuck).
3&4) I managed to digitally pencil a page, but then (5) printed out blue lines and reworked with an actual tangible pencil.
Here’s (6) Dave Stewart’s colors (digital) on my India inks (analog).
Purists will be relieved to know I’m sticking with the old-fashioned pencils and sable brushes for now. Digital dabbling, however, did push me to adopt a new working method of pencilling on cheap sketch paper, then scanning and printing blue lines on bristol board to ink by hand. Saves me the hassle of light box tracing and erasing pencil lines. More summer-time announcements coming soon…